We were thrilled to accept an audio submission from Casandra Troyan, Chicago poet, who recorded two pieces from her new book BLACKEN ME BLACKEN ME, GROWLED (Tiny Hardcore Press, 2014). (Thanks Cassandra!!!). After playing her work, we had a short discussion about what we heard there, the details of physicality and relationship she depicts so sharply. Through hearing Cassandra's wonderful and affective presentation of her work, we considered how poetry tends to get read and performed. What are the differences of reading styles between different poets and poets of different regions? What affects those differences? How does setting affect reading?
Hey awesome writers, please keep sending submissions!!!!
Later in the show, we discussed our talk with Ben Hollander, whom we met with a few weeks ago and whose interview will be aired on the 9th. Ben talked about his new book In the House Un-American (Clockroot Books, 2013). This mixed genre book investigates what it means to be American and shows us our own contradictions and complexities. By looking closely, being American is made strange. Poetry also works to make language strange; it liberates us from our language habits and unhinges us. Ben's book has been described as a 'trickster book' because it incorporates fiction and documentary styles while also being poetic, personal and political; in this way it both surprises the reader and brings the reader along as it investigates the question of this culture we think we live in. Listen on Sunday to hear Ben's interview!!!
Click Here to Listen
No comments:
Post a Comment